We are not discussing The Martian - Scott substituted a mechanical engineer for a fucking botanist.
Fuck Israel
as a piece of film-making it is far better than fucking napoleon. talk about historical abuse. nobody cares the dull mechanical engineer got swapped out.Dilbert_X wrote:
We are not discussing The Martian - Scott substituted a mechanical engineer for a fucking botanist.
Wait a minute, I thought you hadn't read it?uziq wrote:
the original book relies on plenty of ridiculous scientific premises to set up its drama and plot points.
Last edited by uziq (2024-11-30 21:44:59)
uziq wrote:
plenty of ridiculous scientific premises
Is that it?there are no threatening gales on mars
The film industry needs it, nothing is making money these days. I blame the lack of imagination by writers - given that pretty well the only thing which makes money these days is repeats - Gladiator 2, Top Gun 2 etc.gladiator ii is slop. we dont need it
Last edited by uziq (2024-12-01 11:04:57)
uziq wrote:
do you think publishing houses employ full-time scientist consultants? or do you think editors do the work of fact checking and contacting said scientists and experts, utilising their contacts books and networks? hmm, make u think.
Dilbert_X wrote:
From what I remember he got NASA to check some of it.
The point is he substituted a mechanical engineer for a botanist.the threatening storm emergency is literally the opening gambit of the novel, lol. as i said, it's totally fine and understandable to use something extra-scientific to kickstart a narrative. it's fine for story-telling to come first. but then i suppose 'suspension of disbelief' is a rather tough sell to hard sci-fi losers.
If you say so.uziq wrote:
that's because the general public are turned off by mechanical engineering/engineers, i imagine. haven't you learned this through the painful course of your life?